![]() It's not very sensible, it's not particularly good value, but it is - unfortunately - completely magic. They used a mdified PT and GZ34 rectifier instead of a 5U4. Yet what ought to be an outdated piece of history paradoxically still sits supremely well in many vintage and contemporary musical styles. Fender took some liberties with the 57 Bandmaster spec to increase the B+/plate voltage and tighten the amp up. It's louder than a tweed Deluxe, less visceral than a Bassman and nowhere near as versatile as a Hot Rod DeVille. It's the antithesis of the modern, multi-featured box, offering up a pure, undiluted vintage tweed experience at a volume level that's bang-on for modern pubs and clubs. It's perhaps too furry for trad country, but right at home in any modern Americana setting.Įveryone who plugged this in during its time at Guitarist was grinning within seconds. Yes, you can do the Pete Townshend thing, but also think about Mike Campbell, John Fogerty, Springsteen and Neil Young. You might love it, or you might prefer it dialled back for more control and 'order' in the sound. The result is a slightly more 'wild' sound with increased distortion on the treble frequencies particularly. What it's actually doing is decreasing the amount of negative feedback in the power section as you turn it up. The presence control on many early tweed amps gave players more brightness and brilliance, which it continues to do here. Pick lighter and the twang returns it's an extremely responsive amp in that respect, so suits players who like to eke out a full range of textures and dynamics. ![]() ![]() Push the volume and the sag and compression is more noticeable in the bass end, particularly on the attack of lower notes. This famed blackface AB763 circuit amp is a transitional model with the highly. It's an immensely authentic, evocative, grin-inducing experience, quick into overdrive with a palpably more furry-yet-ebullient edge than, say, a '65 Deluxe or Twin Reverb. Vintage 1964 Fender Bandmaster Blackface AB763 2x10 Guitar Amp. Wind up the wick and the oh-mama moments come thick and fast with any classic guitar. It's thick yet bright, with a noticeable 'hair' to the top end that breaks off into light vintage overdrive. This amplifier was completely gone through before going to a studio. These amplifiers sound great stock, offering a clean and vibrato Channel, or they are the perfect starter platform for modifications. Instead, armed with a Gretsch Center-Block White Falcon, and with the amp volume down around three or four, you're greeted with a gigantic 3D soundscape that has even non- guitar players impressed. FENDER 1965 BLACKFACE BANDMASTER These are one of the most iconic and underrated amplifiers in Music. "With the amp volume down around three or four, you're greeted with a gigantic 3D soundscape that had even non-guitar players impressed"ĭon't expect shimmery, 'blackface' Twin-type cleans or tweed Bassman-like headroom. We're talking gloriously rich, sizzling, vintage overdrive with ladlefuls of dynamic sag and natural compression. When you add in the valve rectifier and turn it up, those 26 watts convert into something the amp wasn't designed for, yet has become the reason people love them today. The bias electrolytic cap had not been changed but I replaced it by an F&T. Hailed as one of the true holy-grail amps among guitarists and collectors, vintage examples are rare and highly sought after. The amp had been previously served which included a full recap (supply and cathode), plates on stack changed to 1W MF (I think) and some of the PI resistors updated. They are available for free download to help you with your amplifier repair and modifications.Why 'only' 26 watts from a pair of 6L6 output valves? Well, the Bandmaster's relatively low- power output transformer keeps things in check to better protect the low-power speakers. I recently purchased a 1965 AB673 Bandmaster. Here is our collection of Black face, Silver face, and other 80's era Fender Guitar Amp Schematics. Clearance - Bargains - Scratch and Dent.
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